Bill Hicks

the sign of intelligence is that you are constantly wondering. idiots are always dead sure about every damn thing.




Samstag, 29. Oktober 2011


Cymatics, Water-Sound Imaging

 

 

Seeing Sound

Sound is an invisible force that permeates every aspect of our lives. With the exception of music, many man- made sounds are jarring while the sounds of Nature tend to flow over and around us like soothing waters, lifting our spirit, inspiring us, exciting us. Yet if we could see sound our world would be even more beautiful than we could imagine. It would be a world filled with shimmering holographic bubbles, each displaying a kaleidoscopic pattern on its surface. To see sound is to open a new window onto our world, one that has been veiled in mystery until recently.

When the microscope and telescope were invented centuries ago, new realms came into view that were not even suspected to exist—a Universe in miniature under the microscope and a Universe so immense that centuries of research lie before us with the telescope. Now, like the microscope and telescope that preceded it, the CymaScope instrument allows us to see a previously invisible realm—the world of sound— helping us to gain a deeper and fuller understanding of life and the Universe. The CymaScope uses the science of ‘cymatics’ to make sound visible, by imprinting sound’s invisible vibrations onto the surface of ultra pure water to reveal its once-hidden geometric structures.
This new scientific frontier reveals aspects of Nature every bit as authentic as a flower or a butterfly, the stars in the heavens or starfish in the oceans—in fact, as we will come to see in this article, sound is just as much at work in the interior of a star as iis in the organs of a starfish or in the cells of your body. Sound lies at the heart of every aspect of Nature, underpinning all of Creation. Cymatics will, in the future, enable humanity to understand far more about the Universe and our world than was possible with previous technologies. The CymaScope and the science of cymatics provide a bridge that will lead to significant advancements in knowledge.


The Shape of Sound

Before looking at cymatics more closely let us dispel the popularly held misconception that ‘sound is a wave’. It isn’t. All audible sounds are, in fact, spherical in form orspheroidal, that is to say audible sounds are sphere-like but not necessarily perfectly spherical. For the sake of simplicity we’ll call these spheroidal sound spheres ‘sound bubbles.’
Our world is teeming with beautiful holographic sound bubbles that envelop us in shimmering patterns of acoustic energy, each bubble rushing away at around 700 miles an hour as new bubbles form from the source of the sound. Whether the sound is emitted from your voice or from some other source, such as a musical instrument, this ‘bubble-in-a-hurry’ leaves a fleeting vibrational imprint on the surface of your body: every cell in the surface tissues of your body actually receives sound patterns from the bubbles that surround you. However, only low frequency sounds can penetrate the interior of your body. To understand more fully how your cells respond to the healing power of audible sounds please refer to our previous Veritas article, Rediscovering The Art And Science Of Sound Healing.

Yet, despite the fact that sound is not a wave, the term ‘sound wave’ is in general use throughout the world, which is rather amazing when sound waves don’t actually exist! So let us briefly discuss how this strange anomaly has occurred.
Sound is basically periodic movements of air molecules bumping into each other. These movements of sound can be described mathematically and when plotted graphically the shape of the graph does indeed look like a wave. However, if we could see audible sounds shimmering in the air around us we would see beautiful bubbles, not waves, so it is misleading to say that sound is a ‘wave.’ If what is actually a bubble is described as a wave it is possible that incorrect conclusions will be made about the way Nature works.

In the illustration below a slice through a sound bubble is depicted. The peaks of the graph represent the regions of high-pressure air within the sound bubble, whereas the mid points of the graph represent the areas of low-pressure air. The ‘space-form’ of audible sound is indeed bubble-like whereas the graph—often referred to as a sound wave—is merely a mathematical depiction of the peaks and valleys of sound pressure.

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